The Dingbat’s Agenda
  • February2nd

    These cards were letterpress printed on 220# arturo with Pantone match and matte metallic gold inks as a 1/1 business card for Phoebe. Phoebe is an excellent graphic designer and designed these cards for her branding collateral as an extension of her already awesome website.

    I am a big fan of chevrons lately and am totally digging these wide set ones on the back of Phoebe’s card, how about you?

    Edge painted with a custom mix strawberry ink, thanks Phoebe for being so excellent to work with! I loved how these turned out.

  • January13th

    I’m just slightly infatuated with pantone, if you haven’t noticed. And this year the 2012 color of the year is Tangerine Tango! I love how the yellows are being infiltrated by the oranges now.

    This was a wedding suite for a November wedding for Preeya. First off, she was SO fabulous to work with and had the most amazing mood board. (See at the bottom).

    She was right on the money regarding color trends and the design was so fun to develop with her.

    The suite was printed on 110# cotton paper, 2 inks, paired with gravel envelopes and dark gravel ink. Pieces included Invitation, Directions, Details and RSVP cards for the letterpress pieces, and then place cards and menu for digital pieces for the day of events. To price out an invitation suite like Preeya’s head over to the shop and customize your letterpress suite to your heart’s content!

  • December12th

    Another Minimalist Calling Card that shipped out recently, these were printed on 110# lettra cotton paper in gray ink, and paired with an orangish/papaya edge paint. Sets start at $99 and go up from there if you want custom add-ins like an edge paint or calling card sleeves.

  • October18th

    Just a little something I’m working on (details to come)…what monogram do you want to see next? Only 2 letters please, I’m learning the art of modern monogramming! 

  • March22nd

    This was a rare request that we were excited to be a part of. While I haven’t traveled out of the US (with the exception of Toronto which I LOVED), working with international clients (or foreign languages) for that matter provides some interesting challenges but also intriguing solutions. A client recently inquired about calligraphy calling cards and wanted us to do her name in Cyrillic. I immediately contact the head of Society of Scribes and emailed probably everyone on that  contact list inquiring about a Cyrillic calligrapher. To my dismay, there were none to be found! Google proved fruitless. I tried to hack a Spencerian script but it really wasn’t getting close to what we were going for, and me being the Idahoan that I am was as close to Russia as finding a native palm tree in our state.

    So the search ensued. I have system fonts on my computer that have Cyrillic Alphabets but I wanted to show you all a few options that are beautiful if you are typesetting in Cyrillic. I’m sure there are many more out there and maybe I’m just challenged – but a few of my favorites from Veer were these:

    If you’ve typeset in Cyrillic, what did you use? Did you like it? How was it different from the English alphabet when typesetting? I’d love to see some wood or lead type in Cyrillic – that would be awesome!

  • January10th

    You may recognize this if you follow me on Twitter – it is a larger than life original X piece of wood type. Antique, patina and all around gorgeous, I acquired this baby on eBay back in 2001 along with it’s soulmate O. They are so large in fact, that they extend beyond the press bed (and print area).

    So to work this baby out – we had to shorten our dead area (usually there is a dead bar at the front of the press which keeps the grippers from hitting the printed form and damaging not only the grippers but the type as well). To shorten our dead area we had to be extra cautious, and a small piece of furniture was inserted in replacement of the dead bar (see that wood block on the press? that’s called furniture in printer’s speak).

    Next we had to FLOOD the press with ink. Printing large image area is a totally different ball game than business cards. Business cards require the most minute amount of ink – too much and the ink will muck things up and make your type horribly ugly. However with large areas, a lot more is required – and when doing multiple prints (without an ink fountain that automatically feed the ink on the press) I had to ink up quite a few times.

    In the end, there is an amazing variety that happened with these prints. Both the X and O had unique wear to them so when over-printed (the process of laying one image area over the other) those details came out in this fabulous western wood type way. Distressed and tasteful and beautiful! On some of the prints we added a third color (pink) which was under the gold and offset by about a 1/4″ to give a drop shadow effect – those we kept for valentine’s gifts but were equally cool.

    Oversized letterpress wood type poster XOX

    I can’t believe that after all these years of my X and O sitting on the shelf that I never made time to get them on press! Finally they are ready and I’m giving one away to a lucky reader/tweeter/FBer!

    The Specs: 1 (one) letterpress extra-large poster of the XO. sized 13×19″, 2 inks (red/matte antique gold). Signed and numbered of an edition of 50. unframed – and shipped in a tube for safe mailing.

    TO ENTER:
    You can comment for 1 entry,
    tweet for another entry with hashtag #XOposter and make sure you metnion @DingbatPress and comment back here with your tweet,
    and for a third entry post it in your feed on Facebook (and again come back and provide a link :)

    You have until Jan. 14 midnight MST to enter. A winner will be selected at random and announced by the end of the week!

    Or if you want one RIGHT NOW, just hop on over to the Etsy shop and get one. These babies are ready to ship!

  • June7th

    Working on a logo for Jason & Anna, and here are some typographic explorations for them!

  • March9th

    Okay if you have seen his work for Veer and the Salt Lake City LDS Temple, you won’t want to miss Cameron Moll’s new ROMA poster. Only 50 ava. in the black version you can get it here but be quick, these will go fast I’m sure! Letterpress printed by Bjorn Press, I’ll be ordering on today so I don’t miss out!



  • September27th

    B eautify your blog by nesting in a lovely drop cap by Jessica Hische. Get your own cap designed and illustrated by this amazing illustrator/typographer – but remember to be good and don’t steal. These are NOT for commercial use :) Every working day, Jessica will be producing a new letter, hopefully she won’t stop at z! You can find Jessica on Twitter at home or go direct to the drop cap goodness here. Man I wish I had these typography skills. Now I need to break out the sketchbook again and start working on my drop cap styling. You are my type-idol Jessica!

  • September7th

    Mad Typography

    Posted in: Custom

    Check out this Mad Typography!

    6a00d8341ca70953ef0120a5430ad8970b-500wi

    Found over at ShareSomeCandy illustrated by Julia Sonmi Heglund.

  • August4th

    eenie meenie

    Posted in: Packaging

    Saw this and just had to share! I’d LOVE for Baby Charlie to smell like Basil + Mint, then I might just have to eat him up even more than I already do!

    Eenie Meenie, Crystal Barlow

    Found on ShareSomeCandy
    Designastrator: Crystal Barlow | website | blog
    This woman is TALENTED, check out her Yoplait, I’d buy those in a heartbeat and save them forever!

    picture-17

    Edible Charlie, I can smell the eenie meenie already – now I just need to buy it!

  • July23rd

    Type Scarf

    Posted in: Takem

    Just got this in my inbox. Really want one because I’m obsessed with scarves!

    veer9

    Available at Veer in white & black options. I’ve been busy fulfilling retail orders but will be back tomorrow with some cool new stuff.

  • June25th

    I saw this in my RSS reader and couldn’t resist a 5 minute distraction. Can you spell your name?

    Mac Doc Speller

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