The Dingbat’s Agenda
  • October27th

    This was a suite for a bride that shipped out awhile ago. We were in the final design stages here and presenting different envelope liner options for the bride to get an idea about how the liner can really transform the look of the piece. Can wait to show you the final printed piece!

     

     

     

     

     

  • September27th

    Below are some wedding proofs we worked on early this summer for a bride getting married in Montana. While this isn’t where it ended up in the end – the first round explored a western/Victorian theme with imagery and typography. The overprinting would have been so cool on the 4×9 with the sunburst, but alas I can’t wait to show you the finished piece! Until tomorrow….

     

  • March10th

    Remember  the Jones & Vandermeer RI Proofs and the RII & III proofs? Well we’ve been working on some product tags for her beautiful mink yarn! Below was the first round presented. These will be offset printed 4/4 and punched with a 1/8″ hole for attachment.

  • January19th

    I’m a total sucker for some wailing banjo music, and even more so when they lyrics are A M A Z I N G! As I’m sure you’ve noticed a theme going on with the letterpress Valentine’s Collection 2011 – here is yet another set of cards inspired by my love for music. Calligraphy was done by the fabulous Grace Edmands Calligraphy and then incorporated into design for 2 really pretty Valentine’s Day Cards. Grace, thanks for collaborating on such a fun project – you really made these rock!

    LetLoveGrow4Bar3

    Let Love Grow (above) inspired by Mumford & Sons Winter Winds:

    Love, it will not betray you, dismay or enslave you, it will set you free…

    LoveWillSetYouFree4Bar2

    Here is Mumford & Sons live with Sigh No More (inspired above) – you have to listen to the song change about half-way though and then go check it out on Amazon or iTunes. It’s truly magical.

    Cards Letterpress printed on Arturo 4Bar notes with blank interior, paired with matching envelopes and sold in singles in our Etsy shop. 2 inks, deckle edge, it doesn’t get much better than this.
    Calligraphy ©2011 Grace Edmands , Design ©2011 Dingbat Press

  • January7th

    Okay guys and dolls – it’s that holiday that you either love or hate – I’d have to say I love it! Check out this small preview of what will be in the shop NEXT WEEK! What’s your favorite love song? There is a theme going on here that will be evident soon ;)

  • December16th

    We debuted Jones & Vandermeer’s RI last week and after feedback from the client here is RII and RIII. Jones & Vandermeer is a boutique luxury fiber company producing specialty mink yarn and other exotic goods gathered from around the world. As the brand developed we wanted to incorporate some imagery that reflected target market, as well as material without having to be too specific so the company could continue to grow with extended offerings. click on the images to see them larger in scale. I’m SO excited with how these are turning out – what do you think?

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  • December1st

    Option 1: This design is more concept based, emphasizing the circles in the typography as well as the knocked-out ampersand between Jones & Vandermeer. We wanted a subtle hint of the circular motion of a ball of yarn rolling around but also wanted it to relate to a global shape symbolizing process and the travels invested in procuring this yarn. The typography has been manipulated so that the the balls in the letters have more motion and don’t feel so static but still providing a strong sophisticated brand that is not too crafty looking.

    Option 2: This design is a mix of the casual stylistic watercolors that we were inspired by on the Hermes website (per the client’s suggestion). We wanted something that spoke to the handmade generation and yet still felt high end and regal. The typography was set and then hand traced to give it a more distressed and whimsical feel, then paired with a banner and seal option that brought in a hint of Edwardian flourish without feeling too stuffy. By putting the typography on a diagonal we felt it created a more playful look to the brand without getting too childish.

    Option 3: The third option is more sentimental. After hearing about the business being named after the client pet doggies, I really wanted to give this design more meaning. Often one feels proud of a brand because it is a reflection of them. We took typography in this design that had really beautiful and elegant swashes – they almost double as a doggy’s tail. I felt like they were so playful and reflective of a pets love and excitement. Since the other two designs were more concept and theory based, with this design we also explored an illustration of a ball of yarn so that the client could compare imagery versus concept.

    What is your favorite and why?

  • October15th

    I just love working with photographers! Each time I think I can’t do one more logo for a photographer, I get so inspired by the client brief, and each project turns out so unique. I think the reason it is so fun to brand photographers is that they all have a different eye in how they capture an image. While many shoot the same subject matter, it’s how they capture it that defines their look and why people hire them. I feel it is such fun to work with photographers because they respect creative license, and have an eye for beauty. They also utilize their branding as an extension of their work and themselves.

    Stephanie is no exception to being a fun client to work with. I have really enjoyed developing her brand and here are RI proofs for you to peruse! Option 1 (above) was loosely based off of Stephanie’s current logo. We liked the signature that she had in there and wanted to explore some alternate and more fluid handwriting to continue to develop her current brand but take it to the next level. In reading her brief with her high end demographic and desire for a clean and modern/sophisticated brand we wanted to convey a Nicole Miller type look – something high fashion meets sophisticated casual. The color schemes here are a mix of lattes/greys and blush. We felt that in keeping the color palette neutral, it lent a more timeless aspect to her brand and helped soften the bold strokes of her name + juxtapose it with the light typeface of the “photography”.

    Option 2 (above) is most definitely modern and clean. We explored an abstract camera lens with a rectangle backdrop. Symbolizing the movement of the lens capturing the moment in time. We felt that the mark could be used concurrently with the typography, or that the two could be used on their own as well – pending the application and use. Again we explored the blush/grey neutral, however also presented an option in black as we felt that black is often underestimated especially in the photography market. Right now everyone is going for bright and saturated colors, but everything will always cycle back to black.

    This design strays a little from the clean look however we felt that by it’s organization and simplicity that it still reflected the modern Stephanie was going for. The biggest part of this option is the concept that reflected what she had indicated in her brief about the love she likes to capture in her clients sessions and the type of relationships she hopes to have with them. The care and devotion she put into her work was what we really wanted to focus on in this design and felt that it captured what she was describing for us regarding Steph’s client relationships.

    This branding was developed as part of a branding starter pack from Dingbat Press.
    All proofs + designs © 2010 Dingbat Press
    .

  • October8th

    Hey all, happy Friday! Below is a wedding suite that shipped awhile back and the wedding is coming up pretty darn soon. Enjoy this for the weekend as the best is yet to come (nest week)!

    Letterpress wedding suite, printed on 110# softwhite lettra with pantone matches. Custom design – pieces included invitation, outer envelope, inner envelope, reply card and reply envelope, and directions insert. To inquire about custom work for your wedding suite contact us! All designs ©2010 Dingbat Press

  • October6th

    These euro business cards shipped in the summer and I just realized I never blogged about them! Printed as a 2/1 business card on 220# Lettra paper with pantone matches, this was a great project to collaborate on with one of my employees, Makayla who helped with the design on these.

    This was a great job on press because although there is the heavy flood on the front with reversed type, we also had the pink pattern in the background to help with extra ink on the press and good coverage. Larger print areas can be tricky on press but the lighter coral pink worked well because there wasn’t as much contrast with the paper creating a good print (sometimes darker colors can get paper show-through that is more prominent).

  • October4th

    You may remember the 2/1 letterpress cards on ivory stock for Sade that I blogged about awhile back. We are lucky enough to have the privilege of working again with the Bridal Couture Closet logo and Sade to add to her business collateral with some lovely letterhead.


    It’s so fun taking a brand to the next level and seeing it applied in all it’s variations across the board. This letterhead is a 1/2 sheet (5.5×8.5″) perfect for those business notes and small invoices that don’t need to waste a whole sheet.

  • July30th

    The photos say it all. Custom branding, 3/0 letterpress business cards on 110# paper. Enjoy!

    KMLcdFULL

    KMLcardsXUP_FULL

    KMLbothFULL

    KMLcardsVFULL

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    To request and estimate for custom letterpress business cards or letterpress CD/DVD sleeves (we’ll help you with branding too if you’d like) then start here to get a super speedy quote from us!

  • July13th

    You may remember Kelly’s design proofs that were posted back in June and my subsequent raves about her money strategy skills. Well I present you with the final piece! Kelly helps me keep my greenbacks in order and to pinch my pennies. Thanks for being such an awesome money strategist, Kelly!

    KellyTottenBlog

    Printed on 110# Ecru paper with matte copper, matte metallic brown and a faux emboss on the cracker jack logo. Sized at 2.5 x 2.5″ square with 1/4″ rounded corners.

    To get yourself a set of letterpress business cards from Dingbat Press, contact us!
    To see more of our business cards that we’ve designed and printed via the
    letterpress process please see our letterpress business card Flickr set.

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