The Dingbat’s Agenda
  • January26th

    You may remember these that we showed back as a sneak peek in October. And then of course I was slow to getting around to blogging the full set of photos! Fifi is from Australia and a recent grad and contacted us in hopes that 1) we shipped internationally, and 2) We accepted designed files for press.

    Lucky for her, we do both and were super excited to print these cards for her. Letterpress printed on 220# Arturo as a 2/1 card, I love the softness of the blushy-pink pantone match paired with the sophisticated black ink/black edge paint.

    Sized at 2×3.5″ and printed as an initial set of 250 (our minimum opening order for a set of custom or client submitted files) you can get an estimate for yourself here - we are already booking the press for March and April!

  • January25th

    I love the subtlety of a matte metallic ink, it gives a perfect shimmer when caught in the right light but isn’t too blingy. While all things that glitter can be lovely, for an invitation suite, the subtle shimmer paired with a metallic envelope give a great gradation of texture and variation to a piece without having it be too matchy. I don’t even think blingy and matchy are words, my wordpress is wanting to autocorrect me. 

    Often when translating metallic color schemes over to letterpress you have to find a matte hue that you can mix with silver or gold ink. The other options is to order a coated metallic custom pantone can of ink, and accept that on an uncoated, highly absorbent cotton paper, you will loose most of the high-gloss.

    Moving on, all of the colors in this palette would be stunning mixed with a little silver to make a rainbow of golds and bronzes for a wedding suite. Thanks Helga for the wonderful inspiration photo! Photo Credit: Curved by Hkvam originally found on Flickr.

    Dingbat Press is in no way affiliated with Pantone,
    we just like their colors © 2012. To see a whole plethora of swatches click here.
  • January24th

    There is no easy way around a tradeshow and the best protection you can have is to prepare with a budget for the show. Otherwise, before you know it you’ll be throwing money left and right at anything and everything.

    In breaking down a tradeshow you have your major purchases, supporting purchases and minor purchases. The show you are exhibiting at will determine your focus and spending power for each area. By setting aside a total dollar amount and then breaking it down by importance and percentage you will be more confident in sticking to your budget and not feeling overwhelmed at the large amount of cash you are going to throw down. This post is going to outline a budget for attending the show. New product develemt and cost will be broken down in a second post that is more related with your business plan and marketing for the show.

    Starting off with the big ticket items for NSS:
    Booth Fee This is at the top of my list because while it might not be the most expensive thing on the list, it is the first thing you pay for, and you must pay via cash/check – no credit cards for this one. For a small business I find this important to note because cash on hand is more variable and you don’t want to be caught ready to launch new product and no booth space to show it at!

    Booth Expense Your NSS booth fee pretty much covers your “land” on the tradeshow floor. Think of it like this: you buy the land then build the house. Your booth fee is “buying the land” and your booth expense is “building the house”. Everything budgeted in your booth expense will be the house building portion of your budget. Including but not limited to: walls, hardware, electrical, flooring and aesthetic.

    Booth Furnishings Your booth, once the house is built, now needs to be filled. No one will walk into an empty booth. Have you ever toured a home show and thought “Wow, everything is so perfect!” that is because the homes are shown fully furnished. It makes them more buyable and more welcoming. Having a place to seat your buyers (even though they most likely won’t sit) is enticing to sore tradeshow feet. Don’t underestimate the power of a welcoming interior.

    Shipping When building your booth consider transportation. Even if you store onsite from year to year you have to get it out there in the first place. You will be hating life if you don’t work that into the process. After all, a 130 lb. average woman is going to have a hard time hanging sheet metal by herself with chicken arms. Consider booth construction in your shipping. More compact shipments are cheaper to ship. Lighter weighted walls make for a less expensive freight quote. Broken backs cost money too. 

    Travel Whether you live next to the convention center or on the opposite side of the country you will want to make sure that you have budgeted in gas/flights, hotel and food – eating out for every meal can get expensive!

    Unions Like it or not, most tradeshows use them. It helps with liability and trying to coordinate and schedule a couple thousand booths in one convention center. I include this in the budget because depending on your contract, you will be most likely required to hire the union for some of your setup. NSS specific rules include no standing on chairs, hanging lighting in the amount of 7+ lights, electrical, hanging hard walls (most people can get around this) and anything that requires the use of power tools. If you want catered food, you are supposed to hire the union. If you wand special foam walls you are encouraged to hire the union. Be aware of Freeman’s cost (NSS’ official contracted labor union) when you start planning so you can be aware of the costs associated with it when deciding what to hire out.

    Promotional Material While your product should be budgeted with your business plan, all your promo pieces pertaining to promoting your business at the show should be included in this budget. Chances are that you won’t get the exact same booth number year after year so this will be a “throw-away” expense that should be budgeted each time you do a tradeshow. Promo pieces to include in the budget should be direct-mail pre-show promos (and postage), press kits for the media that introduce your business to them, post-show mailers, catalogs, line sheets, giveaways, business cards and product samples.

    Signage Even though this is at the bottom of the list, it gets it’s own mention because without great signage and a visable booth number, all that hard work promoting your business pre-show will have been fruitless. Don’t overlook the most important element of your booth – your business name should be front and center as well as easily recognizable.

    With all that said, start thinking about these big ticket items first and then come back next week for the breakdown with a budget worksheet to help you get started!

  • January24th

    Hi guys and dolls! I am super excited to be unrolling Tradeshow Tuesday that will cover anything and everything you ever wanted to learn about exhibiting at a national tradeshow.

    National Starionery Show was on the top of my lists since starting Dingbat Press back in 2006. I knew if I wanted to make something out of my love for stationery then this was the place I needed to be. The thing about tradeshows? Until you do one, not only are you most likely terrified about the investment but more so by the aftermath. Will I make an ROI (return on investment)? Will my product be well received? Will I land accounts? Will I bankrupt my business?

    All of these questions are just the tipping point to making and jumping off the Tradeshow Cliff – in a free fall – with no parachute.

    Now granted my experience thus far is one show, and it is all things stationery so this is more of a continuation on what I’ve learned through out the process as well as more info that shares what was successful for my first year and where improvements could be made. If you have a topic you want me to cover then let me know in the comments and I’ll make sure I address it in the following weeks! So without further rambling I’m kicking off our first topic, Budget. Enjoy!

  • January23rd

    Well, it’s me again. Dingbat’s mama (the other Martha) writing about one of my favorite recipes. With February approaching I thought we’d kick off our Monday with a Valentine’s cookie. My favorite for the past few years (well, maybe five or six) is a chocolate shortbread cut into a 2-inch heart. It has a very rich taste, so two hearts brought together with pink strawberry frosting or chocolate ganache in the center is better in a smaller amount. This is a great do ahead recipe – the dough seems to meld into its true persona if left for a day or two in the fridge before baking. It can also be frozen, which is good to know ahead of time, especially on a day like today when it’s snowing so much outside that one naturally thinks of baking while listening to great music.

    The idea of celebrating Valentine’s Day by baking something wonderful for those you love, is an idea that is as old as the celebration itself and sometimes it isn’t worth reinventing the wheel when professing love. Thus, a return to baking a favorite creates a two-fold pleasure: the ease of the tried and true, and a gentle nudge to memories past.

    C H O C O L A T E shortbread heart cookies
    by Martha Moench

    2 Sticks (1/2 lb.) unsalted butter
    1 cup confectioners’ sugar
    1 teaspoon hazelnut extract (or vanilla or almond)
    2/3 cup Dutch-process cocoa
    1 1/4 cups all purpose flour, plus more for rolling
    1/4 cup almond flour (a regular staple in Adrienne’s GF kitchen)
    1 teaspoon salt 

    In a standard kitchen mixer cream butter and sugar until fluffy. Add in hazelnut extract (or vanilla or almond).

    In another small bowl sift together your favorite cocoa powder
    (I LOVE the Dutch Process cocoa), white flour, almond flour and salt
    ………………………..
    Slowly beat in flour to butter mixture. 

    Dough will be a lovely rich, dark color and SOFT. Divide the dough in half and shape into disks about 1″ thick. Wrap in plastic wrap and refrigerate until firm, at least 30 minutes.
    ………………………
    Preheat oven to 350˚F. Remove dough from fridge and working one disk at a time, roll out on a lightly floured surface to about 1/8″ thick. Stamp out cookies and place on a parchment-lined baking sheet and bake for about 13-15 minutes or until firm. Let cool on the baking sheet for about 10 minutes and then transfer to a metal cooling sheet until fully cooled. Continue to roll and cut out batches (cooling the scraps between batches) until you are all finished!

    When cooled, frost with a strawberry glaze or chocolate ganache and serve with coffee or hot cocoa. 

     The mere suggestion of chocolate, which increases the amount of serotonin in the body and is full of anti-oxidants, begins the feel good process. Add to that Amy Winehouse on the stereo singing “Our day will come and we’ll have everything…. We’ll share the joy…falling in love can bring…”with its subtle reggae beat, and you’ve arrived.

    The other Martha is my mom, she is not only my biggest cheerleader (with my Dad of course) but she is the one that lovingly passed on the creative gene along with all its OCD traits. Join us Mondays for a delicious kickstart to your week as we share our favorite recipes from home.

  • January20th

    Not only have we gotten over 4 feet of snow in the last 3 days, but I’m finally turning the corner on what was a nasty head cold. Thank you hubby for braving the drifts in your truck to get me a zpac when all the roads were technically closed in the valley. I feel much better today, 12 hours into the meds. Now if only the plow would come!

    This photo on Flickr made my morning and so I thought I’d share a smudge of ink with you today, because next week is going to be awesome! Martha (my mama) is coming back to blog on Monday’s about all things delicious, followed by the launch of Tradeshow Tuesday. Have a fabulous weekend, I know I will once this cold is kicked!

  • January18th

    I was emailed yesterday regarding one of my NSS posts and a frustration I had regarding freight shipping. The email was from the freight company XpoSolutions who I shipped with for 2011. Jay, my account rep kindly pointed out that my invoice total was not $1100 as I had indicated in the blog post but a total of $906. The original bid was for $580+- a few dollars including lift gate services and insurance, but not fuel. That quote was for a 500 lb. shipment. While I was still dealing with sticker shock of the higher price I paid for shipping, I admit to being in the heat of the moment when writing about my freight shipping costs and mistakenly input an exaggerated number. My apologies go out to Jay for misrepresenting my numbers in my invoice as their customer service over email was very great to work with.

    Having said that, there are a few things I’ve realized with this NSS shipping and rural living. It is NOT cheap to ship from a rural location. The farther you are from a main freight terminal, to more that adds to your cost.

    Jay was also kind enough to break down my invoice for me, as I think I didn’t fully understand how the quote worked out in the end. So no one makes the same mistake as I do (and end up with a much larger bill than expected) I’m going to share a piece of Jay’s email with you so you can understand the billing process for freight shipping too.

    For an estimated 500 lbs, we quoted you $588.98, plus 14% fuel ($82.46), totaling $671.44, which was $1.34 per pound.  All of that price included the liftgate we needed at your pick-up location and the additional insurance you took out valued at $6,000.  Again, that rate was based upon your estimate of 500 lbs (plus liftgate and insurance).  After your material was reweighed (we do have an official weight certificate for your material) it came out to be 715 lbs.  Had we taken your originally quoted per pound rate, your final price would have come out to be $960.16. 

    From that, I just want to stress that whoever you ship with for your freight needs, understand that every pound counts. So does distance and size of freight. Thanks Jay for giving me the opportunity to correct my errors and learn more about the shipping break-down.

  • January17th

    Tilted Sky is a business by couple Lindsey & Stephen who shoot some pretty awesome wedding filmography for your big day. Lindsey approached us with a seemingly challenging project in that she wanted  the look of a gradient/split-fountain in a very small print area. Easy for flat printing, challenging for letterpress printing. After working long and hard on her files and the concept she was going for, we finally decided to go with the solution to have the gradient sky printed via flat printing on our 110# paper, and then ran it through our presses for the final print run with a light silver ink for their business info.

    Above and below are two pre-press proofs that we pulled for Lindsey so she could compare the color of the gradient, the value of the line screen clouds (which were hard to photograph but looked awesome in person) as well as the value of the silver. Above we have a more peachy hue, and below more pink with a lighter silver.

    Upon sending images over to the client for final sign off we hit the presses and shipped these babies out!

  • January16th

    These letterpress business cards were designed by the client and were a fun project to work on. I LOVE die-cuts! Below is a great example of a flood print. In our artwork approval (your contract that you sign before we head to press) it outlines a few variables that are important with letterpress printing to note. One is color variation between prints. On our presses we print and re-ink between every 25 impressions on floods. This helps keep color consistent, however it can still be tricky. While we strive for perfect consistency, our product is part of an antique printing process. Unlike offset presses, our presses do not have digital inking fountains so all our print runs are done by comparison. Here is a sample “fan” of Elliott’s cards that we felt were a match to his pantone specification, and shows slight variety but still is consistent.

    Another letterpress technique to note is the reverse typography in Elliott’s flood. When reversing type out it shows a much better reverse impression is the image area to be knocked out is larger or more marginal. While there is a dominant and subordinate print side to all double-sided cards, you can still feel the impression because this typography is not too small.

    We’ve also noticed that with the use of the alpha-cellulose composition of the Arturo paper, it gets a MUCH better flood coverage than the lettra. I’m not sure the exact scientific reasoning behind this but I imagine it has something to do with the porous nature of the cotton lettra vs. the arturo and the fiber content of the lettra. From what I believe, the lettra has more “glue” making it not as responsive to rubberbase inks, thus the transparency and “salty” look are more prominent in comparison to the same flood on an Arturo paper.

    With that all taken into consideration, we still love printing on both the lettra as well as the Arturo but depending on the paper selection, you can come out with variables no matter how the process is tackled.

  • January13th

    I’m just slightly infatuated with pantone, if you haven’t noticed. And this year the 2012 color of the year is Tangerine Tango! I love how the yellows are being infiltrated by the oranges now.

    This was a wedding suite for a November wedding for Preeya. First off, she was SO fabulous to work with and had the most amazing mood board. (See at the bottom).

    She was right on the money regarding color trends and the design was so fun to develop with her.

    The suite was printed on 110# cotton paper, 2 inks, paired with gravel envelopes and dark gravel ink. Pieces included Invitation, Directions, Details and RSVP cards for the letterpress pieces, and then place cards and menu for digital pieces for the day of events. To price out an invitation suite like Preeya’s head over to the shop and customize your letterpress suite to your heart’s content!

  • January12th

    Another lovely set of Calling Cards for Emily Ellyn I love the orange edge paint paired with the black ink.

    These were printed on 110# LUXE paper and edge painted with our signature highly pigmented inks with love. On these cards, I discovered that latex gloves really helps keep your hands from cracking.

    With all the hand washing, painting and heat gun settings, my finger tips have started cracking with this dry winter weather. Good bye cracking knuckles, hello latex gloves!

    If you are looking at landing yourself a set, it is a great way to get into some letterpress cards without breaking the bank and they turn around fast! Check them out here to customize a set of your own.

  • December28th

    This was one of those jobs when I received the files that I squealed with delight. This illustration is awesome, to say the least and we were so excited to be printing it for Tiny Twiggette. Lynn was so fabulous to work with and has some beautiful design work herself. These were printed on lettra 220# paper, in ecru. Pantone matched and printed as a 1/1, this is a perfect example of how a minimalist design and single ink color can be just as impacting with out all the hooplah of a billion press colors or changes.

    Sized at 2×3.5″ and printed as an initial set of 250 (our minimum opening order for a set of custom or client submitted files) you can get an estimate for yourself here – we are already booking the press for February and March!

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